Indigo Blues: Surface Design with Natural Dyes

Indigo Blues: Surface Design with Indigo

Starts March 28^th 

Indigo Blues: Surface Design with Indigo is a comprehensive Four Week online course which is a one-stop resource for anyone wishing to learn the art of Surface Design with Indigo.

During the Four Week course you develop a solid foundation of the concepts of Surface Design using Indigo. 

I will teach you the necessary core skills needed to create beautiful art cloth with Indigo!

During this Four Week course you will also learn about the history of surface design with indigo from ancient times to modern times.

Topics Covered Include:

• Immersion Dyeing
• Bound Resists including Shibori
• Potato Starch, Gutta, and a non-toxic glue resist for immersion dyeing
• Fabric painting with indigo
• Mono printing, stamping, gelatin plate printing
• Screen printing You will screen print with Rust and Tannin Patterning Techniques via screen printing as a Final BONUS LESSON.

As part of my private Facebook community, you’ll discover a global community of students, and friends, to support and to inspire you.

My passion is for you to experience the joy of working with indigo, and to learn which type of indigo vat works best for you!

Downloadable videos, which means you will have lifetime access.

Downloadable handouts, so that you can print out the information to use in your studio.

Access to my Facebook Community.

JOIN NOW AT  http://kbaxterpackwood.com/wordpress/online-classes-workshops/indigo-blues/

Basic Blues: Five Indigo Vats, Five Different Ways!

Starts March 20th

Basic Blues: Five Indigo Vats, Five Different Ways is a comprehensive Five Week online course which is a one-stop resource for anyone wishing to learn the art of dyeing fabric, fibers, and yarn, with indigo.

During the Five Week course you develop a solid foundation to start, maintain, trouble shoot, and revive FIVE different types of Indigo vats.

I will teach you the skills necessary to use Indigo safely, and how to create different values of blue from palest blue to the deepest of blues. You will learn the secrets to creating beautiful blue fabrics, that are not only light fast, but the indigo won’t crock off of your fabric, fibers, and yarns.

During this Five Week course I will also teach you about the history of indigo, its origins as a dye, the different types of indigo plants, the chemistry behind the elusive dye, and its applications other than as a dye.

You will work with Rust and Tannin Patterning Techniques as a Final BONUS LESSON.

As part of my private Facebook community, you’ll discover a global community of students, and friends, to support and to inspire you.

My passion is for you to experience the joy of working with indigo, and to learn which type of indigo vat works best for you!

Downloadable videos, which means you will have lifetime access.

Downloadable handouts, so that you can print out the information to use in your studio.

Access to my Facebook Community.

LEARN MORE NOW  

I've Got the Blues ONLINE Class Sale!

Indigo Blues and Basic Blues

on Sale NOW through February 28th!

Click here for more information.

Early Bird Registration Opens Today!

Early Bird Registration Opens Today 

for BOTH 

Basic Blues and Indigo Blues!

Early Bird Price $59 per Class

Regular Price $79 Begins on March 1st!

Register Today!!!

Registration is NOW OPEN for Basic Blues!

Confused over which Indigo Dye Vat to use?  In this Five Week Online Class we will explore five different methods to creating, and maintaining, an Indigo Dye Vat!

~ Registration is Now Open ~ Class Begins March 20th, 2017 Learn More Here!!!

Patternless Skirt

Almost finished, the waste band and hem are next.

Natural, Indigo, and Rust dyed cotton muslin fabric.

It should have taken 45 minutes to construct from start to finish but since I accidentally sewed it together (wrong sides) twice it took about two hours!  So I decided I'll finish the waste band tomorrow and think about how I want to finish the hem.

Sandman in progress

Stitching now with indigo dyed linen threads.

Bjorkboda Progess

I've started stitching on this piece again, this time with a renewed vision.

Raw Sienna and Raw Umber

I streamed tonight, such as it was... I say that because the audio kept dropping.  I will be streaming tomorrow evening from another site and hopefully that will work out.  Until then I posted in the Natural Surface Forum on the fruit fermentation reduction vat and about the earth pigments above.

Introduction to Indigo

I'm teaching an online basic introduction to indigo starting February 14th at the Natural Surface (which is now $29.95 a year to be a member) http://naturaldyeing.ning.com

I will be teaching both the instant indigo vat, and the standard chemical reduction indigo vats.

 

WIP - White Elk Series

Blue Moon in progress

Painted and stitched timtex, blue moon indigo dyed silk organza net.

Couching Dilemma

I had a feeling this was going to happen, I love the indigo and tannin dyed sisal so much I used it all up.  So do I go start a new indigo vat, which won't be ready until Saturday to use at the earliest and that coincides with my yard sale which means no dyeing on Saturday, or do I couch something else down instead?  I have on tiny six inch bit left of the sisal and no idea where to put it on the piece! 

To Couch or Not to Couch

Indigo and tannin dyed sisal, am contemplating couching some to the surface of Bjorkboda.

Definately not as one mass but more like bits and pieces, more like the stand of cottonwoods at the marsh bent, broken, and leaning.

And maybe a little knotted, like the vines that creep over the cottonwood trunks.

WIP - Bjorkboda 090412

 

 

Now with more hand stitching, and still plugging along!  I've missed several deadlines but at this point I don't care anymore, I have a vision for this piece and I want that vision to come to life but not in some half hearted fashion. 

In the mean time I'm contemplating dyeing some threads, for hand stitching, for this piece.  I still have the silk layer and the pieces of scrim that were dyed along with these layers and am thinking of starting a second piece for a new series.

 

WIP - Bjorkboda

I'm almost ready for the hand stitching, I filled in a bit more of the piece with machine stitching to reinforce it's structure.

The forgotten dye note text now dealt with which resulted in more brown scraggly stitching being added to the piece in a random manner. 

Some verticles.

I've started thinking about the cottonwoods and how stoic they look when shrouded in the ice fog of deep winter. 

WIP's and Bjorkboda

I'm starting to like it more and more without the silk overlay.

I'm thinking of leaving the silk piece off now and using it on another piece of indigo dyed fabric.

Of course this piece of indigo dyed fabric also looks lovely with this silk piece.

So now I need to make a decision, and of course that decision might involve dyeing more cotton fabric with indigo!

WIP - Bjorkboda

On my sewing table so that the stitching will pop.

More Details

The puffy areas will be stitched down in other colors.

WIP 080512

Making thread selections.

Aurifils cotton and rayon thread.

Aurifil wool thread.

One Work Many Views

A FB friend asked me if I was viewing a WIP from multiple directions, as from the one direction it looked like an old ship.  Yes, and I almost always photograph them in different directions especially when I'm experimenting with different layers as I tend to forget what I did previously.