Indigo Blues: Surface Design with Natural Dyes

Indigo Blues: Surface Design with Indigo

Starts March 28^th 

Indigo Blues: Surface Design with Indigo is a comprehensive Four Week online course which is a one-stop resource for anyone wishing to learn the art of Surface Design with Indigo.

During the Four Week course you develop a solid foundation of the concepts of Surface Design using Indigo. 

I will teach you the necessary core skills needed to create beautiful art cloth with Indigo!

During this Four Week course you will also learn about the history of surface design with indigo from ancient times to modern times.

Topics Covered Include:

• Immersion Dyeing
• Bound Resists including Shibori
• Potato Starch, Gutta, and a non-toxic glue resist for immersion dyeing
• Fabric painting with indigo
• Mono printing, stamping, gelatin plate printing
• Screen printing You will screen print with Rust and Tannin Patterning Techniques via screen printing as a Final BONUS LESSON.

As part of my private Facebook community, you’ll discover a global community of students, and friends, to support and to inspire you.

My passion is for you to experience the joy of working with indigo, and to learn which type of indigo vat works best for you!

Downloadable videos, which means you will have lifetime access.

Downloadable handouts, so that you can print out the information to use in your studio.

Access to my Facebook Community.

JOIN NOW AT  http://kbaxterpackwood.com/wordpress/online-classes-workshops/indigo-blues/

On My Sewing Table

Thinking, contemplating my next move, lots of ideas rambling through my head seemingly too many some times, but then it occurred to me that I can marry several "themes" I've previously worked on for a greater continuity.

More to come later.

The Studio Waits!

I have mono at the present, so my studio sits idle waiting, waiting for me to come paint, dye, and stitch!  All simply because I'm just too tired to do anything, but the diagnosis sure does explain a lot.

John moved the plastic drawer units into my studio two weeks ago, it's so nice to have all of my vintage yummies within arms distance now.

Vintage pink trim, there's a few things left in the office that need to be moved into the studio otherwise it's all in there now and it's a matter of just getting busy producing some new work.

I love black and white zippers, somewhere in one of those plastic drawers there's a black and white houndstooth zipper that's just wanting to be stitched onto a beautiful surface!

Sample

Silk crepe de chine with screen and mono printed with natural dye extracts.

Mono Print with Golden Paints

Below: Golden's Thick Body Paint, Indian Yellow, on the foam plate. Above: First print printed onto commercial stationary.

Will have to mix some extender with the Golden Paints they dry out wayyyyyyyyyyy too fast! I thought I'd try it with just straight paint to see just how fast the paint does dry out.

Mono printing

I over printed yesterday's reverse print, which didn't turn out so well the print looks really good with color coming from behind, though if I were to do it again I'd make the top print more saturated.

This last one is my favorite out of the bunck, even if it is a little crooked on the paper. The object in the background to the right is a windmill, they are springing up all over the rural landscape here so it's only natural I would incorporate them in my work. ;-)

More Mono Printing

The first three, was still working out the ink consistancy on the brayer.

Printed on PFD cotton fabric that has been prewashed, just not ironed.

First run is now completed.

Not bad for a first run it's been about 5 years since I've done any serious printing.

Foam Tray Mono Prints

Foam Meat Tray incised and inked up.

Acetate envelope that I used as a ink palette - the ultimate in recycling.

On artist paper

On an envelope that was painted with oilbars and acrylic paints.

On aritst paper.

Roadside Wonders WIP

I've been working on this piece for several years now, last year it sat hiding in my closet due to my being pre-occupied with flooding etc. It's time to fetch some green plants from the ditches and do more monoprinting with the plants. The central block no longer works for me and I

plan to do something else now.